Art: Bear with a log in its eye

By -

By Tanya Pretorius (fetsiboomsticks)

Comments

Post a Comment

Popular posts from this blog

Her (2013)

By -
Image
#ParaphrasingGenius ~ Something that has to be considered when having a relationship with an AI is the aspect of being chosen by those you love. Their ongoing choosing of you is important to us. If we don't have faith in that, it causes significant pain in real-life relationships. Even in relationships where you pay to be chosen, you know you are not. Some little part of you knows. What will be the subtle effect of your awareness that the AI didn't choose you? (Ezra Klein)
Read more

Treating people like criminals

By -
Image
Even if you know me, you may not know that something that bugs me is that, as the world is divided into goodies and baddies - that people who are goodies get treated like baddies 'in case'. So yes, that applies to me. Men should be treated with caution. I think a certain level of caution is warranted in life-and-death situations, even situations that men don't think are life and death. So, always meet in a public place, and give your friend their researched identity number and phone number before leaving the house. And men, for their part, bring your mother to the date and two of your male friends. Do your bit to show women you know they are vulnerable. However, I don't want to hand in my handbag to a shop locker when I go into a store. Capitalism's loss is not life and death. Put up a camera and witness my honesty.
Read more

Review: Cool Hand Luke (1967)

By -
Paul Newman and bully, George Kennedy, are boxing it out in the yard. Kennedy is twice the size of Newman, who keeps getting up, figuratively calling Kennedy out, "Bully, Bully, Bully," because he just won't stop hitting Newman. The men in the yard start saying to Kennedy to stop, and Newman keeps getting up and swinging a feeble swing. Eventually, Kennedy clicks that his power display is undermining him, and quits. Back in the day, movies spoke. IMDB Cool Hand Luke (1967) Actors: Paul Newman, George Kennedy Director: Stuart Rosenberg
Read more