One of those Bechdel-passers that drives women mad. It passes because two named woman characters speak to each other about something other than a man - it's one word, but it counts. "Mama."
Paul Newman and bully, George Kennedy, are boxing it out in the yard. Kennedy is twice the size of Newman, who keeps getting up, figuratively calling Kennedy out, "Bully, Bully, Bully," because he just won't stop hitting Newman. The men in the yard start saying to Kennedy to stop, and Newman keeps getting up and swinging a feeble swing. Eventually, Kennedy clicks that his power display is undermining him, and quits. Back in the day, movies spoke. IMDB Cool Hand Luke (1967) Actors: Paul Newman, George Kennedy Director: Stuart Rosenberg
A friend asked me why I took back a friend that hurt me: I didn't know how to answer your question about this friend. There are friends I am still friends with that I have cried for days on my bed for how hurt I feel by things they have done. This friend is not one of those friends. What she did made me sad, but I have more difficult hurt from others. But I think the thing that is really part of this answer for me, that is the truth of the matter, that is why closer to the truth of it, is that if the role were reversed, how would I want that person to react? I react that way. I want them to give me another chance. When I go to someone and want to reconnect - even if it can't be with the most vulnerable thing - an apology - I would want them not to dismiss me. I am the girl who stays. I see the incredible generosity offered to me by my Black friends - white people do damage. And I don't always get it right. No one can shout louder at me than I have at myself. Apartheid-...
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